With the mixer’s built-in, rock-steady Ambient time code generator, multiple devices can operate in synchronization.
When used with a CL-6 Input Expander, the 664 records 16 tracks, 12 inputs and four output buses. All popular production sampling rates are supported. Recordings are either 16- or 24-bit Broadcast WAV files with extensive metadata. Recordings are saved to CompactFlash and SD cards. The 664 can record each of its inputs and its four output buses, for 10 record tracks.
AES3 digital outputs are individually selected to appear on the main XLR and multi-pin output connectors. Two additional output buses, X1 and X2, appear on balanced TA3 connectors. The 664 can send its main left/right outputs to three cameras simultaneously. In complex, multi-camera productions, output flexibility is essential. Input connectors 1 and 6 can be selected to accept AES42 or AES3 digital signals Output Flexibility
These transformer-less preamps accept mic or line-level signals, and include analog peak limiters, high-pass filters, input trim controls, and direct outputs. The 664 has six ultra-low noise, high-dynamic-range analog inputs. Perfectly suited for location audio mixeing and recording. The intuitive 664 has six mic input channels and four output buses.Īll inputs and outputs are recordable to both CF and SD cards.
